: new experimental electronic records & nights in Italy and across EuropeSignals from below the threshold
Industrial weight meets slow-burning techno on Death/Rebirth One, as JK Flesh and Orphx launch KR3's new split EP series. Each artist contributes an original track and remixes the other's work, turning four cuts into a dark exchange of crushing low-end, mechanistic rhythms and abrasive textures that resist the pressure of constant acceleration.
With "Swag" on Planet Rhythm, Luigi Madonna explores the raw foundations of techno, favouring function over ornament. Rigid grooves and minimal rhythmic structures form the backbone of the tracks, while restrained melodic details add depth to the mix. Carefully placed effects and understated sonic nuances create a growing sense of pressure, keeping the sound focused and hypnotic as the energy pushes forward without interruption.
Alarico returns to Klockworks with four new tracks shaped around the physical force of techno and its hypnotic pull. Leading the release, "Whisper" sets the tone for a record that unfolds across four distinct cuts, from "Ombra" to "Wroclaw" and "30 Hz". Klockworks 42 arrives on November 13, with "Whisper" available ahead of the full release.
K7.
Silence is not an absence but a signal cut from the noise: on GETGETGET, Thomas Brinkmann reworks material by Peter Rehberg into a third, vanishing identity. Two side-long abstractions fuse machine ghosts and fractured codes, turning negative music into a dark study of perception, circulation and the zero beneath it all.
Ellen Allien’s vision of autonomy, collective resistance and planetary fragility enters new territory on New Life Rmxs 1. For the first remix instalment, kindred artists reshape the Berlin producer’s fusion of hypnotic techno, darkwave and euphoric minimalism, refracting the album’s defiant spirit through new sonic perspectives.
Siphonophora makes gradual transformation the pulse of Rebirth, her debut on Phorum Records. Across four cuts, intricate percussion and throbbing sub-bass move through subtle tonal shifts and sci-fi atmospheres, balancing stripped-back club functionality with a deeper, hypnotic sense of space. A study in restraint, repetition and slow evolution.
On "8 Shades Of Me", Yulia Kasa explores identity through eight cuts for Diffuse Reality Records. Heavy basslines and pounding percussion collide with sharp, otherworldly tones, while introspective vocals soften the relentless club-driven sound. Balancing hypnotic momentum and emotional depth, the Melbourne-based producer captures self-discovery as a continuous process of transformation.
On "Untitled", Icarus In Love & RLCT carve out a shadowy space where experimental techno meets dark ambient and finely worked industrial textures. Two original tracks from each artist establish a tense, stripped-back dialogue, while RVDMNTL's remixes deepen the atmosphere, pushing "Olaepitreponte" and "Afterglow" into darker, more abrasive territory.
With Seltsame Fabeln, Nene H moves into more direct club territory, merging forceful techno structures with fractured rhythmic ideas. "Pferdemädchen" sustains its forward motion while resisting any clear resolution, whereas "Ende gut" plays with conflicting time signatures, pulling kick and percussion out of sync before bringing them back into alignment. Across four tracks, the release embraces tension, rhythmic instability and a raw energy suited to close-knit dancefloors where unpredictability takes centre stage.
Hervás gm frames techno as a process of rupture and renewal on La Catarsis. Its four titles, "Cierre de Ciclo", "Contacto Estrecho", "Desadaptación positiva" and "Dinámicas de movilización", suggest cycles closing, connections tightening and change gathering force, tracing a path through tension, adaptation and collective movement on Abstract Mechanisms.
Four tracks trace the shifting currents of Apture’s Creeks EP for Swedish label Counter Pulse. Raw, hypnotic techno drives "Kareem" and "Inverted", while the slower pulse of "Drizzle" gives way to the hazier, downtempo terrain of "Creeks", opening a fluid space between club pressure and introspection.
Mana Mind’s Breaking Light EP moves between shadow and euphoria, where bleep-driven trance signals meet the forward pull of techno. Across six tracks, from "Voices In The Dark" to "Dream Of A Solo", Skryptöm Records delivers a focused electronic journey shaped by tension, chord movement and flashes of brightness.
Robert Hood and Radio Slave join forces for the first time on Radio Hood, a two-track release that pushes beyond techno’s usual restraints. Out on Rekids as the label celebrates its 300th release, the project balances the genre’s driving core with a more expansive sonic palette. Repetitive synth motifs, cinematic string arrangements and a deep, distorted Reece bassline intertwine, bringing a heightened emotional dimension to the music while preserving its underlying rhythmic drive.
A bassline that swallows the floor, metallic impacts and rave signals cut through Estella Boersma’s Seeker EP, marking her debut on CLR. Across three tracks, rolling kicks and syncopated pressure shift from abrasive warehouse grit to the celestial synth glow of "Submerged", pushing muscular techno into futuristic orbit.
Repetition becomes a collective ritual in Espacio Basura (Part 2), as radd explores techno as a physical encounter with unstable time and raw analog force. Rugged percussion and looping motifs collide and mutate, turning the dancefloor into a temporary gathering of bodies, signals and sonic debris where rhythm reshapes perception.
Neither fully awake nor entirely asleep, Blazej Malinowski drifts through the uneasy threshold between consciousness and dream on Nocturnal Shadows. Trading the dancefloor for darker, introspective terrain, nine pieces of ambient abstraction let silence, shifting textures and restless echoes chart the mind’s slow unraveling.
Surveillance becomes the raw material for resistance on Yann Novak’s Discontinuity, where seven remixers dismantle and obscure the structures of his previous album, Continuity. Lawrence English, Geneva Skeen and others transform ambient drones and fractured textures into acts of sonic refusal, reclaiming opacity in a world engineered to make everything legible.
Low-end pressure meets dubwise restraint on LPV’s Dub Ride EP, where eight tracks trace a path through bleep traditions and warehouse shadows. Resonant bass, cavernous space and titles like "72 Hour Sweat" and "Silent Observers" shape a nocturnal tension, deepening his bond with Monnom Black’s stripped-back techno vision.
Patterns overlap, dissolve and reform into shifting metaphysical landscapes on Unearth Noise’s Spectral Verses. Across fourteen fluid compositions, Roger Berkowitz drifts between harmonic diversity and rhythm-free structures, conjuring a psychedelic sonic collage where time bends, solitude deepens and each encounter reveals another layer of the unknowable.
Childhood winters linger like ghosts in the snow: Vigilant traces the fragile threads between memory, nostalgia and the passage of time on Threads of Memories. Cassette loops, field recordings, guitar textures and dark ambient electronics map a solitary journey through fading recollections and the search for a self beyond the noise.
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In every issue
Going into #004THU 19.11 · in 5 days
Every record, night, signal and note we pick this week ends up in the issue. Nothing gets lost.
See the week so farMonica Hits The Ground 2020
from Hail Horrors HailHorizontal Ground
A glowing grid of embers flickers beneath scattered percussive events in "Blew A Nice Head Completely Off", Monica Hits The Ground builds an oblique, hypnotic structure from granular synth textures and shifting rhythmic fragments, where subtle variations ripple across a restrained but volatile soundscape. Quietly abrasive, like circuitry burning from within.
Play via Bandcamp: Monica Hits The Ground — Blew a Nice Head Completely Off
Éliane Radigue 2021
from Opus 17Alga Marghen
In "N°17", Éliane Radigue turns imperceptible change into an art form. Slowly shifting frequencies dissolve into one another, suspending time in a continuous, meditative flow. A landmark in minimal electronic composition, where the smallest transformations reveal an almost infinite depth of listening.
Lundin Oil 2024
from Exploit DivisionsNorthern Electronics
Deep drones and metallic resonances gather into a menacing, ritualistic pulse on "High-Profile Witnesses". Lundin Oil builds a raw industrial soundscape where abrasive textures grind against subterranean frequencies, leaving melody behind in favour of mounting tension. A stark study in sonic weight, repetition and unease.